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  Caviar

  Theodore Sturgeon

  Acknowledgments

  Dedication

  Bright Segment

  Microcosmic God

  Ghost of a Chance

  Prodigy

  Medusa

  Blabbermouth

  Shadow, Shadow on the Wall

  Twink

  Copyright, 1955 by Theodore Hamilton Sturgeon

  All rights reserved.

  First Edition

  November 1955

  PUBLISHED BY BALLANTINE BOOKS, INC.

  PRINTED IN THE U.S.A

  Acknowledgments

  “Bright Segment” appears for the first time, in this collection, copyright 1955 by Ballantine Books, Inc.

  “Microcosmic God” first appeared in Astounding Science-Fiction, April 1941, copyright 1941 by Street & Smith Publications, Inc. Reprinted by permission.

  “Ghost of a Chance” first appeared in Unknown Worlds, June 1943 as “The Green-Eyed Monster”, copyright 1943 by Street & Smith Publications. Reprinted by permission.

  “Prodigy” first appeared in Astounding Science-Fiction, April 1949, copyright 1948 by Street & Smith Publications, Inc. Reprinted by permission.

  “Medusa” first appeared in Astounding Science-Fiction, February 1942, copyright 1942 by Street & Smith Publications, Inc. Reprinted by permission.

  “Blabbermouth” first appeared in Amazing Stories, February 1947, copyright 1947 by Ziff-Davis Publications, Inc. Reprinted by permission.

  “Shadow, Shadow on the Wall” first appeared in Imagination February 1951 as “Shadow, Shadow … on the Wall”, copyright 1951 by Greenleaf Publishing Company. Reprinted by permission.

  “Twink” first appeared in Galaxy Science Fiction, August 1955, copyright 1955 by Galaxy Publications Corporation. Reprinted by permission.

  To Marion

  Bright Segment

  HE HAD never held a girl before. He was not terrified; he had used that up earlier when he had carried her in and kicked the door shut behind him and had heard the steady drip of blood from her soaked skirt, and before that, when he had thought her dead there on the curb, and again when she made that sound, that sigh or whispered moan. He had brought her in and when he saw all that blood he had turned left, turned right, put her down on the floor, his brains all clabbered and churned and his temples athump with the unaccustomed exercise. All he could act on was Don’t get blood on the bedspread. He turned on the overhead light and stood for a moment blinking and breathing hard; suddenly he leaped for the window to lower the blind against the streetlight staring in and all other eyes. He saw his hands reach for the blind and checked himself; they were red and ready to paint anything he touched. He made a sound, a detached part of his mind recognizing it as the exact duplicate of that agonized whisper she had uttered out there on the dark, wet street, and leapt to the light switch, seeing the one red smudge already there, knowing as he swept his hand over it he was leaving another. He stumbled to the sink in the corner and washed his hands, washed them again, every few seconds looking over his shoulder at the girl’s body and the thick flat finger of blood which crept curling toward him over the linoleum.

  He had his breath now, and moved more carefully to the window. He drew down the blind and pulled the curtains and looked at the sides and the bottom to see that there were no crevices. In pitch blackness he felt his way back to the opposite wall, going around the edges of the linoleum, and turned on the light again. The finger of blood was a tentacle now, fumbling toward the soft, stain-starved floorboards. From the enamel table beside the stove he snatched a plasticsponge and dropped it on the tentacle’s seeking tip and was pleased, it was a reaching thing no more, it was only something spilled that could be mopped up.

  He took off the bedspread and hung it over the brass headrail. From the drawer of the china closet and from the gateleg table he took his two plastic tablecloths. He covered the bed with them, leaving plenty of overlap, then stood a moment rocking with worry and pulling out his lower lip with a thumb and forefinger. Fix it right, he told himself firmly. So she’ll die before you fix it, never mind, fix it, right.

  He expelled air from his nostrils and got books from the shelf in the china closet—a six-year-old World Almanac, a half-dozen paperbacked novels, a heavy catalog of jewelry findings. He pulled the bed away from the wall and put books one by one under two of the legs so that the bed was tilted slightly down to the foot and slightly to one side. He got a blanket and rolled it and slipped it under the plastic so that it formed a sort of fence down the high side. He got a six-quart aluminum pot from under the sink and set it on the floor by the lowest corner of the bed and pushed the trailing end of plastic down into it. So bleed now, he told the girl silently, with satisfaction.

  He bent over her and grunted, lifting her by the armpits. Her head fell back as if she had no bones in her neck and he almost dropped her. He dragged her to the bed, leaving a wide red swath as her skirt trailed through the scarlet puddle she had lain in. He lifted her clear of the floor, settled his feet, and leaned over the bed with her in his arms. It took an unexpected effort to do it. He realized only then how drained, how tired he was, and how old. He put her down clumsily, almost dropping her in an effort to leave the carefully arranged tablecloths undisturbed, and he very nearly fell into the bed with her. He levered himself away with rubbery arms and stood panting. Around the soggy hem of her skirt blood began to gather, and as he watched, began to find its way lazily to the low corner. So much, so much blood in a person, he marveled, and stop it, how to make it stop if it won’t stop?

  He glanced at the locked door, the blinded window, the clock. He listened. It was raining harder now, drumming and hissing in the darkest hours. Otherwise nothing; the house was asleep and the street, dead. He was alone with his problem.

  He pulled at his lip, then snatched his hand away as he tasted her blood. He coughed and ran to the sink and spat, and washed his mouth and then his hands.

  So all right, go call up …

  Call up? Call what, the hospital they should call the cops? Might as well call the cops altogether. Stupid. What could I tell them, she’s my sister, she’s hit by a car, they going to believe me? Tell them the truth, a block away I see somebody push her out of a car, drive off, no lights, I bring her in out of the rain, only inside I find she is bleeding like this, they believe me? Stupid. What’s the matter with you, mind your own business why don’t you.

  He thought he would pick her up now and put her back in the rain. Yes and somebody sees you, stupid.

  He saw that the wide, streaked patch of blood on the linoleum was losing gloss where it lay thin, drying and soaking in. He picked up the sponge, two-thirds red now and the rest its original baby-blue except at one end where it looked like bread drawn with a sharp red pencil. He turned it over so it wouldn’t drip while he carried it and took it to the sink and rinsed it, wringing it over and over in the running water. Stupid, call up somebody and get help.

  Call who?

  He thought of the department store where for eighteen years he had waxed floors and vacuumed rugs at night. The neighborhood, where he knew the grocery and the butcher. Closed up, asleep, everybody gone; names, numbers he didn’t know and anyway, who to trust? My God in fifty-three years you haven’t got a friend?

  He took the clean sponge and sank to his knees on the linoleum, and just then the band of blood creeping down the bed reached the corner and turned to a sharp streak; ponk it went into the pan, and pitti-pittipitti in a rush, then drip-drip-drip-drip, three to the s
econd and not stopping. He knew then with absolute and belated certainty that this bleeding was not going to stop by itself. He whimpered softly and then got up and went to the bed. “Don’t be dead,” he said aloud, and the way his voice sounded, it frightened him. He put out his hand to her chest, but drew it back when he saw her blouse was torn and blood came from there too.

  He swallowed hard and then began fumbling with her clothes. Flat ballet slippers, worn, soggy, thin like paper and little silken things he had never seen before, like just the foot of a stocking. More blood on—but no, that was peeled and chipped enamel on her cold white toes. The skirt had a button at the side and a zipper which baffled him for a moment, but he got it down and tugged the skirt off in an interminable series of jerks from the hem, one side and the other, while she rolled slightly and limply to the motion. Small silken pants, completely soaked and so badly cut on the left side that he snapped them apart easily between his fingers; but the other side was surprisingly strong and he had to get his scissors to cut them away. The blouse buttoned up the front and was no problem; under it was a brassiere which was cut right in two near the front. He lifted it away but had to cut one of the straps with his scissors to free it altogether.

  He ran to the sink with his sponge, washed it and wrung it out, filled a saucepan with warm water and ran back. He sponged the body down; it looked firm but too thin, with its shadow-ladder of ribs down each side and the sharp protrusion of the hip-bones. Under the left breast was a long cut, starting on the ribs in front and curving upward almost to the nipple. It seemed deep but the blood merely welled out. The other cut, though, in her groin, released blood brightly in regular gouts, one after the other, eager but weakly. He had seen the like before, the time Garber pinched his arm off in the elevator cable-room, but then the blood squirted a foot away. Maybe this did, too, he thought suddenly, but now it’s slowing up, now it’s going to stop, yes, and you, stupid, you have a dead body you can tell stories to the police.

  He wrung out the sponge in the water and mopped the wound. Before it could fill up again he spread the sides of the cut and looked down into it. He could clearly see the femoral artery, looking like an end of spaghetti and cut almost through; and then there was nothing but blood again.

  He squatted back on his heels, pulling heedlessly at his lip with his bloody hand and trying to think. Pinch, shut, squeeze. Squeezers. Tweezers! He ran to his toolbox and clawed it open. Years ago he had learned to make fine chains out of square silver wire, and he used to pass the time away by making link after tiny link, soldering each one closed with an alcohol torch and a needle-tipped iron. He picked up the tweezers and dropped them in favor of the small spring clamp which he used for holding the link while he worked on it. He ran to the sink and washed the clamp and came back to the bed. Again he sponged away the little lake of blood, and quickly reached down and got the fine jaws of the clamp on the artery near its cut. Immediately there was another gush of blood. Again he sponged it away, and in a blaze of inspiration, released the clamp, moved it to the other side of the cut, and clamped it again.

  Blood still oozed from the inside of the wound, but that terrible pulsing gush was gone. He sat back on his heels and painfully released a breath he must have held for two minutes. His eyes ached from the strain, and his brain was still whirling, but with these was a feeling, a new feeling almost like an ache or a pain, but it was nowhere and everywhere inside him; it wanted him to laugh but at the same time his eyes stung and hot salt squeezed out through holes too small for it.

  After a time he recovered, blinking away his exhaustion, and sprang up, overwhelmed by urgency. Got to fix everything. He went to the medicine cabinet over the sink. Adhesive tape, pack of gauze pads. Maybe not big enough; okay tape together, fix right. New tube this sulfa-thia-dia-whatchamacall-um, fix anything, time I got vacuum-cleaner grit in cut hand, infection. Fixed boils too.

  He filled a kettle and his saucepan with clean water and put them on the stove. Sew up, yes. He found needles, white thread, dumped them into the water. He went back to the bed and stood musing for a long time, looking at the oozing gash under the girl’s breast. He sponged out the femoral wound again and stared pensively into it until the blood slowly covered the clamped artery. He could not be positive, but he had a vague recollection of something about tourniquets, they should be opened up every once in a while or there is trouble; same for an artery, maybe? Better he should sew up the artery; it was only opened, not cut through. If he could find out how to do it and still let it be like a pipe, not like a darned sock.

  So into the pot went the tweezers, a small pair of needle-nose pliers, and, after some more thought, a dozen silver broach-pins out of his jewelry kit. Waiting for the water to boil, he inspected the wounds again. He pulled on his lip, frowning, then got another fine needle, held it with pliers in the gas flame until it was red, and with another of his set of pliers bent it around in a small semi-circle and dropped it into the water. From the sponge he cut a number of small flat slabs and dropped them in too.

  He glanced at the clock, and then for ten minutes he scrubbed the white enamel tabletop with cleanser. He tipped it into the sink, rinsed it at the faucet, and then slowly poured the contents of the kettle over it. He took it to the stove, held it with one hand while he fished in the boiling saucepan with a silver knife until he had the pliers resting with their handles out of the water. He grasped them gingerly with a clean wash-cloth and carefully, one by one, transferred everything from saucepan to table. By the time he had found the last of the needles and the elusive silver pins, sweat was running into his eyes and the arm that held the tabletop threatened to drop right off. But he set his stumpy yellow teeth and kept at it.

  Carrying the tabletop, he kicked a wooden chair bit by bit across the room until it rested by the bed, and set his burden down on its seat. This no hospital, he thought, but I fix everything.

  Hospital! Yes, in the movies—

  He went to a drawer and got a clean white handkerchief and tried to tie it over his mouth and nose like in the movies. His knobby face and square head were too much for one handkerchief; it took three before he got it right, with a great white tassel hanging down the back like in an airplane picture.

  He looked helplessly at his hands, then shrugged; so no rubber gloves, what the hell. I wash good. His hands were already pink and wrinkled from his labors, but he went back to the sink and scratched a bar of soap until his horny nails were packed with it, then cleaned them with a file until they hurt, and washed and cleaned them again. And at last he knelt by the bed, holding his shriven hands up in a careful salaam. Almost, he reached for his lip to pull it, but not quite.

  He squeezed out two globs of the sulfa ointment onto the tabletop and, with the pliers, squashed two slabs of sponge until the creamy stuff was through and through them. He mopped out the femoral wound and placed a medicated sponge on each side of the wound, leaving the artery exposed at the bottom. Using tweezers and pliers, he laboriously threaded the curved needle while quelling the urge to stick the end of the thread into his mouth.

  He managed to get four tiny stitches into the artery below the break, out of it above the break. Each one he knotted with exquisite care so that the thread would not cut the tissue but still would draw the severed edges together. Then he squatted back on his heels to rest, his shoulders afire with tension, his eyes misted. Then, taking a deep breath, he removed the clamp.

  Blood filled the wound and soaked the sponges. But it came slowly, without spurting. He shrugged grimly. So what’s to do, use a tire patch? He mopped the blood out once more, and quickly filled the incision with ointment, slapping a piece of gauze over it more to hide it than to help it.

  He wiped his eyebrows first with one shoulder, then the other, and fixed his eyes on the opposite wall the way he used to do when he worked on his little silver chains. When the mist went away he turned his attention to the long cut on the underside of the breast. He didn’t know how to stitch one this size, bu
t he could cook and he knew how to skewer up a chicken. Biting his tongue, he stuck the first of his silver pins into the flesh at right angles to the cut, pressing it across the wound and out the other side. He started the next pin not quite an inch away, and the same with the third. The fourth grated on something in the wound; it startled him like a door slamming and he bit his tongue painfully. He backed the pin out and probed carefully with his tweezers. Yes, something hard in there. He probed deeper with both points of the tweezers, feeling them enter uncut tissue with a soft crunching that only a fearful fingertip could hear. He conquered a shudder and glanced up at the girl’s face. He resolved not to look up there again. It was a very dead face.

  Stupid! but the self-insult was lost in concentration even as it was born. The tweezers closed on something hard, slippery and stubborn. He worked it gently back and forth, feeling a puzzled annoyance at this unfamiliar flesh that yielded as he moved. Gradually, very gradually, a sharp angular corner of something appeared. He kept at it until there was enough to grasp with his fingers; then he set his tweezers aside and gently worked it loose. Blood began to flow freely before it was half out, but he did not stop until he could draw it free. The light glinted on the strip of hollow-ground steel and its shattered margins; he turned it over twice before it came to him that it was a piece of straight razor. He set it down on his enamel table, thinking of what the police might have said to him if he had turned her over to them with that story about a car accident.

  He stanched the blood, pulled the wound as wide apart as he could. The nipple writhed under his fingers, its pink halo shrunken and wrinkled; he grunted, thinking that a bug had crawled under his hand, and then aware that whatever the thing meant, it couldn’t mean death, not yet anyway. He had to go back and start over, stanching the cut and spreading it, and quickly squeezing in as much ointment as it would hold. Then he went on with his insertion of the silver pins, until there was a little ladder of twelve of them from one end of the wound to the other. He took his thread, doubled it, put the loop around the topmost pin and drew the two parts of the thread underneath. Holding them both in one hand, he gently pinched the edges of the wound together at the pin. Then he drew the loop tight without cutting, crossed the threads and put them under the next pin, and again closed the wound. He continued this all the way down, lacing the cut closed around the ladder of pins. At the bottom he tied the thread off and cut it. There was blood and ointment all over his handiwork, but when he mopped up it looked good to him.